top of page

treluce
studios tremonto n.y.c

nouveau
prive'

Incredibly thin Incredibly light weight Incredibly brilliant

Work in seamless LED's

A solid black line miraculously illuminating

A solid white line that also mysteriously hides color

Continuous and seamless

A drawn form, in motion, coming to light

All while being Incredibly thin ( 6-12mm)...

WORKS

light table sculpture

hanging light sculpture

Marcus Tremonto.
light Artist.

light sculpture

table light sculpture

hanging light sculpture

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto

Marcus Tremonto.
light Artist.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto

Marcus Tremonto.
light Artist.

Marcus Tremonto.
light Artist.

Marcus Tremonto.
light Artist.

Table lamp led

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.

Marcus Tremonto.
light Artist.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto

Marcus Tremonto.
light Artist.

Marcus Tremonto's unique way of using light,
as a way to convey imagery and emotion,is on par with artists
such as Dan Flavin and James Turell.

Lucia van der Post,
FT( London Financial Times)

digitals

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

There are two major categories of our new work, Fluid forms, and what we call Ink Forms.

The later is a representation of literal ink on paper, as a sketch or freehand expression of a form, that ends in the unrefined motion of a line in light. The Ink Forms are very difficult to make, as the complexity of compound curves and balance is thus subject to the rigidity of the LED's.
As all of these forms are made without the use of machines or computers (on purpose) it has taken years to perfect this seamless un-compromised, sculptural, continuous light.

As you may know the light itself is a seamless fluid form, with no detection of individual LED's. The effect, regardless of the Fluid Forms or Ink Forms, is that of a light drawing suspended in space.
-Marcus Tremonto
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.
Dan Flavin.
James Turell.
Brice Mardin.

Marcus Tremonto.
light Artist.
Dan Flavin.
James Turell.
Brice Mardin.

Aripan Light 2023

We Imagined a solid Black Line illuminating.

A white line, that also mysteriously hides color.

Continuous and seamless.
All while being Incredibly thin (6-12mm).

A drawn form, in motion, coming to light.

Almost as weightless as a Charcoal gesture.

All being a replaceable system of construct.

Meticulously hand formed.

Continuous and seamless light source.

Dimmable and operation by remote control.

Extremely lightweight.

Completely replaceable system of construct.
24v (120-240v) incredibly bright at maximum.

Run 3 hours a day, every day, for 60 years.

Untitled-2 copy.JPG

bottom of page